Kalle Gustafsson

Kalle Gustafsson is a Swedish director and photographer. A master of the atmospheric cinematic moment, Gustafsson was shooting retro before Mad Men was on the air and is as comfortable recreating stolen moments that evoke a 60’s Italian film as he is staging cinematic stories out of a 50’s American drama and contemporary fashion. Across all his visual styles, the candid moment is elevated to art with a langorous, fluid elegance and a natural grace. And intelligence. Visual references and formal skills are used as vehicles for this natural ability and his models appear relaxed and organically beautiful.

Senol Zorlu

Senol Zorlu is a Turkish photographer whose life and background has been highly influential on his own work. He had the chance to experience life abroad (living and working in Germany, mostly) and to travel the world taking photographs. His particular approach to photography is very descriptive. The purpose of his photographs is not to create artist compositions the same way some photographers "engineer" a shot. Senol Zorlu is much more concerned about the moments, emotions and stories that he can capture with his camera. His photographs strike for a realistic, yet emotional and very spontaneous feel. Faces, looks, colours, items, landscapes and environmental features are all part of a story, whose twist and development are hidden within the very fabric of each and every image.

Senol Zorlu's photographic work has been extensively used by non profit organisation the likes of Save The Children or UNICEF, among many others. His realistic and emotional style reflects the ideas and values of such groups, and it turn, it offers a great "canvas" for the work of this artist.

David Lindsey Wade

Wade brothers: David Lindsey. Together with his brother Lyndon, David has become one of the most well-known and published lifestyle, fashion, and advertising photographers in the modern era. 

He branched out from there and developed a distinctive and artistic style in his photography.

David’s preferred method is not to stage scenes or make elaborate set-ups for his much of his non-advertising photography. When it comes to his advertising photography shoots, he likes to keep things simple and make use of the business or team’s color, industry, and backdrops to bring a richness and depth to the artificial set-up and poses. In his artistic photography, he goes between a gritty realism with dabbled light and elaborate fantasy with contrasting lights and colors.

To me , I love all the emotion , the movement in his work . I can feel it with my eyes.